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« on: December 19, 2013, 10:46:35 am »
London's high on fashion
The BBC's David Sillito sums up the glamour and excitement of the weekLondon Fashion Week is over for another season and despite the absence of Britain's big name designers it still managed to grab the limelight.
The festivities got off to a glitzy start on Monday night when Prime Minister Tony Blair and wife Cherie hosted a party to mark the beginning of the annual spring/summer frock fest.
Many pundits predicted that London Fashion Week would suffer,louis vuitton sito ufficiale, creatively and financially,michael kors milano, from the desertion of Vivienne Westwood, Nicole Fahri, Alexander McQueen and Stella McCartney.
However, some 50 shows,christian louboutin sito ufficiale, 100 new names, 140 exhibitions and many memorable catwalk appearances later,louis vuitton boty, industry watchers seem to have changed their tune.
Many now anticipate that the city's role as the hub of burgeoning European urban style will have been bolstered by the week's events,montre michael kors homme.
Clothes Show presenter Carolyn Franklin says that the no show of McQueen and co actually made a refreshing change that was good for the industry.
"It has been interesting to see some of the bigger names have moved away this year. There is constant change, new talent and new energy you wouldn't be able to achieve in Paris or Milan," she said.
Samantha Fox modelling for Red or Dead gave the London audience a good showIndeed, for energy and showmanship, this season did exceptionally well.
Former page three girl Samantha Fox and a group of lapdancers performed for the unashamedly controversial label Red or Dead,peněženky louis vuitton.
Scary Spice Mel G stepped out as a bold as brass model for designer Julien MacDonald.
Even polished veteran of the London scene, Paul Smith, went for the unconventional by showing his collection in Chelsea's historic Physic Garden.
Smith was just one of the group of respected big names   including Jasper Conran, Paul Costelloe,mulberry london, Clements Ribeiro and John Rocha   with classic collections, who gave the week weight.
There's no denying that for big name designers the market in America is bigger and more profitable.
Jasper Conran was among a handful of respected classic designersBut it's London's determination not to take itself too seriously that keeps many here,bauletto louis vuitton prezzo, inspires creative genius and brings in the buyers.
And after 20 years in the business,rayban a goccia, Costelloe says he is confident that London is still very much a hotbed of fresh talent.
Those searching for the next big thing at this week's event found possible contenders in both queen of colour Tracey Boyd and Robert Cary Williams.
Cary Williams was once known for cutting up designer clothes by the likes of Jean Paul Gaultier. He later took the scissors to his own garments, leading a school of neo deconstructivists.
However he describes his latest collection, modelled by supermodels Naomi Campbell and Kate Moss, as "cleaner, quite beautiful and much more refined".
Tracey Boyd's innovation is cause for celebrationLondon also continues to attract talent from abroad,http://www.spettegola.com/wp-includes/pomo/christianlouboutinoutletitalia.php, including German designer Markus Lupfer.
He made his debut this season with a collection inspired by modern technology, urban living.
Also present to launch her own line of clothes was Jemima Khan   wife of former Pakistan cricket captain Imran Khan.
This season, London Fashion Week even spread into London's East End   a place not usually associated with the well heeled and glamorous.
Its more Bohemian venues proved very popular because of a shortage of room in the main show tents. But the move also reflects a rebirth of what used to be the centre of the London's thriving ragtrade,mulberry york outlet.
Anthony Symonds illustrates how to combine the classic with the contemporaryDespite the originality,bauletto louis vuitton prezzo, enthusiasm and loyalty demonstrated this week, many designers are still being tempted abroad.
"Most of the major companies around the world for fashion have British designers in the background, which is sad   but we just can't do anything about it," says Paul Smith.

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